of Horacio Vaggione. Curtis Roads. The composition of music has evolved into an interactive process of directly sculpting sound morphologies on multiple time. Horacio Vaggione is an argentinian composer of electroacoustic and instrumental music. He co-founded the Experimental Music Center of the University of. This article stresses the important contribution of Horacio Vaggione to inserting the computer within a musical project. The theoretical contributions of Vaggione.
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He took charge of the electro-acoustic studio of the Centre for Experimental Music he had founded at the University of Cordoba As a teenager, exposure to the local DC punk scene beget collaboration and performance.
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Horacio Vaggione / | ISSUE Project Room
A move to San Francisco brought exposure to rave culture – arousing the experimentation with electronics that continues to this day. Censorship was omnipresent and any avant-garde cultural movement was banned; tanks surrounded the university and Horacio Vaggione could no longer work.
PianoHertz was composed from a collection of piano sounds that Vaggione played, recorded, and expanded digitally with the intention to horacil the birth of multiple classes — some retaining the dynamic traits of the original sounds while others representing radical mutations. ISSUE serves as a leading cultural incubator, facilitating the commission and premiere of innovative new works spanning genres of music, dance, literature and film.
Modelos de universo III represents his earliest experiments with granulation and digital micromontage.
In he presented a doctoral thesis entitled Poly-phonies: Bourges Prizes, Here, she has been developing and refining a sonic and visual language that transcends genre and trend, but speaks from a highly personalized, yonic-psychedelic dimension and a devotion to the book of vagfione.
As an entry point for web resources, its aim is to present horaciio least a succinct biography of a composer as well as links to the Cdmc’s own information resources: In he settled in Madrid, spending four years in Spain. Horacio Vaggione includes computer technology in his compositional processes, developing ideas of stratification, figuration, articulation, morphology and singularity.
Horacio Vaggione / 51717
Slow, furious, erotic, and unheimlich landscapes unfold. The specific problem is: In he joined Vaggipne de Pablo in Spain and set up the group Alea. Skip to main content Skip to search.
For Horacio Vaggione, composing is equivalent to the generation of veritable, unique events and hogacio articulation within ever greater ensembles without the meaning of this unicity being lost.
This article has multiple issues. Vaggione parses through tense and often false dichotomies between multiplicitous and univocal sonic elements, with granular sound positioned and manipulated without the unity of the sound source being lost.
Horacio Vaggione born is an Argentinian composer of electroacoustic and instrumental music who specializes in micromontage, granular horacip, and microsound and whose pieces are often scored for performers and computers mixed music.
Views Read Edit View history. Born and raised into an Orthodox Jewish family, the droning and whispered sounds of the Ashkenazic synagogue service and Chasidic melodies were a formative introduction to abstracted sound expression.
Horacio Vaggione — electrocd — The Electroacoustic Music Store
Biographies Forty Components The Composer at work. Past and present ricochet.
His music is characterised by lively, often violent colours, but also by subtle relationships that are set up between the acoustic instruments and the recorded or computer-generated part Horafio for bass saxophone and tape-computer,through the exploration of the meaning of the material used and its potential, as well as on the symbolic significance of the musical figures Septuor for electronic ensemble, He also discovered the latest works of Iannis Xenakis and attended, in Germany, the summer courses at Darmstadt.
Ton Bruynel Foundation Prize Amsterdam, Home Who are we? Here, her work touches on implicit musical tensions between noise and silence, language and sound, material and transcendence — dichotomies that often form the binaristic conditions that are confronted and deconstructed within meditative and ritualistic practice. He studied the piano and music theory before entering, inthe Alessio de Cordoba Conservatory. He also produced some radio broadcasts on contemporary music National Argentine Radio, Born between Show only female composers.
From to he continued his apprenticeship at the Arts School of the National University of Cordoba with Olger Bistevins harmony and orchestrationCarlos Gasparini counterpoint and organCesar Franchisena musical formJuan Carlos Fernandez history of hlracio and Ornella de Devoto piano.
In he undertook his first work in electro-acoustic music at the CIAL, the acoustics research centre of the Institute for mathematics and physics of the University of Cordoba Ceremonia for tape,then installed an electro-acoustic studio in his home.